INT'L PW 2022

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The Paperworks juried exhibition at Minot State University has been through numerous changes. The first call for entries in 1969 started the National Print and Drawing Show. The 1980s brought National Works on Paper Exhibition to artists across the USA. A look forward to the new millennium in the 1990s re-titled the exhibitions to Americas 2000. Now, in an effort to better represent our multi-country appeal and entrants, we introduce INT'L Paperworks 2022. In this 51st year, it is our honor to share these works from across the world. 

INT'L Paperworks Juried Exhibition
January 13 through February 24, 2022
Walter Piehl Gallery
Northwest Arts Center
Minot State University
Minot, North Dakota

Juror: Susanna Crum, Louisville, KY – susanna-crum.com

Reception & Online Viewing:
Friday, February 4, 2022
6:30 to 8:00 p.m.
7:00 p.m. Juror's Talk and Awards
Best of Show, Merit and Purchase Awards to be announced at the reception.

JUROR'S STATEMENT

In more than fifty years of exhibiting contemporary art, 2022 marks the first time that Paperworks features entries from around the world. It was an honor to build an exhibition from such an impressive grouping of submissions, which together demonstrated a sweeping range of possibilities for works on paper, each created within the past two years. Thank you to each artist who shared their work for consideration in this show. I’m glad to practice art in a world that has you and your work in it.

In the artworks I selected, artists manifest and share ideas and experiences through a thoughtful application of media. In an extraordinary era of potential isolation, reflection, and disruption of routine, artworks burst forth with vibrant colors and possibilities. Some explore vast complexities of natural and built environments, while others examine details of daily life that could easily be missed or dismissed. Together the works in INT’L Paperworks 2022 document innovations and experimentations in contemporary art, in which artists challenge themselves and their audiences during an exceptional time.

— Susanna Crum


Artists and Works Selected:

 

Debbie Alley, Knoxville, TN, USA. “Rose,” eco-print process on paper.
Peter Baczek, Oakland, CA, USA. “Cast Shadow,” linocut.
Peter Baczek, Oakland, CA, USA. “Network,” linocut.
Laura Bigger, Kirksville, MO, USA. “Hourglass,” monoprint (reduction woodcut with chine collé).
Kate Borcherding, Huntsville, TX, USA. “Summer Storm,” woodcut.
Jacob Crook, Starkville, MS, USA. “Distillation,” mezzotint.
Jacob Crook, Starkville, MS, USA. “Whitfield at Greensboro,” mezzotint.
Elizabeth Dillman, Harrison, OH, USA. “Plane,” graphite on paper.
Phil Dynan, Corning, CA, USA. “Taos Belltower,” serigraphy.
Michael Fleischhacker, Silver Spring, MD, USA. “Covid Playground Silver Spring MD 1,” silver gelatin photo print.
Michael Fleischhacker, Silver Spring, MD, USA. “Covid Playground Silver Spring MD 2,” silver gelatin photo print.
Ebonee Hansen, Payson, UT, USA. “Untitled 1,” digital photography.
Ebonee Hansen, Payson, UT, USA. “Untitled 2,” digital photography.
Marco Hernandez, Wichita, KS, USA. “Los Niños También Sufren,” etching.
Raluca Iancu, Ames, IA, USA. “Storm Damage,” relief print, digital.
Raluca Iancu, Ames, IA, USA. “Over & Under,” reduction relief print.
Phyllis Kravitz, Atlanta, GA, USA. “Tumbled,” paper, wood.
Jon Laing, Brooklyn, NY, USA. “Herimaheri,” charcoal on paper.
Tim Lamey, Fargo, ND, USA. “Frost Covered Tree,” photographic palladium print.
Tim Lamey, Fargo, ND, USA. “Frost - Distant Barn,” photographic palladium print.
Rebecca McCannell, Monmouth, OR, USA. “Snow Tracks-L,” monoprints.
Claudia O’Steen, Rock Hill, SC, USA. “Arc of Visibilty,” digital print.
Claudia O’Steen, Rock Hill, SC, USA. “Semaphore,” graphite on vellum, vintage chart paper.
Jim Pearson, Lawrenceville, IL, USA. “Forgotten Garden: Sighting,” digital collage.
Rob Price, Menomonie, WI, USA. “329 Years After 1619,” docu-collage, gouche.
Daniel Jules Roger, Rosay, Normandie, France. “Coquille 1,” paper, linen.
Daniel Jules Roger, Rosay, Normandie, France. “Coquille 4,” paper, linen.
Brian Row, San Marcos, TX, USA. “Memories Too,” ink on paper.
Edward Rushton, Statesboro, GA, USA. “Where’s My Flag: American Flag, Confederate Flag, Celtic Cross, Odal Rune, Sonnernrad, SS Bolts, Wolfsangel,” two-ply poly rag, white glue.
Nicholas Ruth, Rochester, NY, USA. “Webb’s Crossing and 21,” photopolymer gravure.
Nicholas Ruth, Rochester, NY, USA. “Webb’s Crossing NW,” photopolymer gravure.
Edward Shmunes, West Columbia, SC, USA. “Safety in Numbers,” photography.
Edward Shmunes, West Columbia, SC, USA. “The Curve,” photography.
Tori Tasch, Hartland, WI, USA. “Wall Necklace: Garlic Mustard,” handmade paper using garlic mustard and abaca.
Kathleen Thum, Central, SC, USA. “Wyoming Coal #2,” charcoal on paper.
Sheldon Till-Campbell, Forest Park, IL, USA. “Untitled Color Shape,” relief print.
Nicholas Tisdale, Alabaster, AL, USA. “di·chot·o·my: Left/Right,” color lithography.
Nicholas Tisdale, Alabaster, AL, USA. “di·chot·o·my: True/False II,” color lithography.
Nicholas Tisdale, Alabaster, AL, USA. “di·chot·o·my: Up/Down III,” color lithography.
Alice Valenti, Buffalo, NY, USA. “Watch,” graphite, watercolor, gouache in handmade book.
Linda Whitney, Valley City, ND, USA. “Butterfly Sister Dancing for the Little Ones,” mezzotint with applied earth pigments.
Linda Whitney, Valley City, ND, USA. “Pinaskiw ~ Butterfly Sister,” mezzotint with applied earth pigments.
Linda Whitney, Valley City, ND, USA. “Jingle Sisters Dancing for the Children,” mezzotint with applied earth pigments.
Cleo Wilkinson, Brisbane, QLD, Australia. “Inception V,” mezzotint.
Brandon Williams, Nashville, TN, USA. “20k More 20k Less,” multi-plate etching.
Brad Yazzolino, Portland, OR, USA. “Not if But When,” screenprint on Rives paper.


For More Information
Phone: 701-858-3264 or 800-777-0750 (ex.3264)
E-mail: nac@minotstateu.edu

History
» The History of the Northwest Arts Center
» The History of the MSU Annual Juried Competitions